This innovative history explores the rich tradition of music behind bars and shows how policing and prisons have shaped our musical culture from blues to hip-hop.

In American popular music, we often glorify rebellious artists and “outlaws.” But in The Midnight Special, Colin Asher tells a deeper story about the criminal justice system’s impact on our musicians, explored through compelling portraits of five artists whose careers span the twentieth century.

Opening with folk and blues artist Huddie “Lead Belly” Ledbetter, who was made to perform wearing prison clothes, Asher traces the intertwined histories of music and incarceration, from Southern prison farms of the Jim Crow era, through the heroin-driven mid-century drug wars that villainized a generation of jazz artists, and to our present era of mass incarceration.

Asher shows how the suggestion of criminality has often benefited white artists, while prosecutions often hurt Black musicians. Comparing the divergent trajectories of jazz pianist Elmo Hope with country singer Johnny Cash, Asher examines how violent and discriminatory policing stifled Hope’s career and led to the creation of his album Sounds from Rikers Island (1963), while forgiveness and lenience brought us Cash’s masterpiece At San Quentin (1969).

With keen musical analysis and sociological insight, The Midnight Special examines key themes in culture and criminal justice, from the movement for prison reform that allowed soul musician Ike White to stage thrilling concerts while locked up and record his album Changin’ Times (1977), to the crushing cultural weight of mass incarceration a generation later. Closing with Tupac Shakur’s Me Against the World (1995) and stories of music in prisons today, The Midnight Special recounts how prisons occasionally incubate talent but more often shorten careers and distort the public’s perception of musicians and their value to society.

An urgent book about the ways music can affirm an individual’s sense of humanity in dehumanizing circumstances, The Midnight Special writes the history of prisons into American music―a story as important as it is overlooked.

• Publisher ‏ : ‎ W. W. Norton & Company

• Publication date ‏ : ‎ June 30, 2026

• Language ‏ : ‎ English

• Print length ‏ : ‎ 336 pages

• ISBN-10 ‏ : ‎ 1324051396

• ISBN-13 ‏ : ‎ 978-1324051398

• Author: Colin Asher 

From the #1 New York Times bestselling author of Long Way Down comes a powerful print adaptation of the acclaimed, award-winning audiobook Soundtrack—a stirring story of music, friendship, and finding your voice in 2000s New York City.

★ “[A] stunning tribute to New York City’s creative scene . . . The text echoes with the sounds of N.Y.C., as Stuy perceives them, from beginning to end.”—Publishers Weekly, starred review

Stuy Grey plays the drums, just like his mom, a founding member of the all-black punk band the Bed-Stuy Magic Dusters. He teaches himself by watching videos of tap dancers. Now he’s left home, estranged from his mom and her abusive boyfriend. He’s camping out with his uncle on the Lower East Side. His landlord, Dunks, has chops: He shreds on only five strings. Add Alexis on bass guitar and Keith on horn: These teens are a band, busking in New York City subway stations to scrape enough money to record an album.

As their popularity grows, so do the pressures, from complicated family dynamics to the glare of unexpected public attention. And when the police start looking for their bassist, Stuy faces his toughest decision yet.

Adapted from the acclaimed Listening Library original audiobook and written with Jason Reynolds’s signature rhythm, heart, and honesty, Soundtrack: A Novel is a raw, resonant story about friendship, creativity, and what it truly means to find, and fight for, your voice.