"This book, I suspect, will detonate over certain corners in America.... Darkology is a major and thrilling work of American history." ―Dwight Garner, New York Times Book Review
As Heard on NPR's Fresh Air: "Quite enlightening." ―Terry Gross
"Tremendous.... Barnes has corralled the chaos, contradiction, and surprise of American social reality; evaded mythology; and made... the ‘unwritten’ legible.... [A] painfully necessary autopsy of the nation’s soul." ―Walton Muyumba, Boston Globe
Named one of the Best Books of the Month by the New York Times, TIME, and Kirkus Reviews

A groundbreaking history, decades in the making, that chronicles how blackface dominated American society culturally, financially, and racially for nearly two centuries.

Never before has the disturbing story of blackface and its piercing reflection of American society been so comprehensively told. With Darkology, Princeton historian Rhae Lynn Barnes meticulously unravels the complex, subterranean, and all-too-often expunged history of “Darkology”―the insidious study, commodification, and dehumanization of Black life, through which performers caricatured the enslaved and formerly enslaved for their supposed subservience and happy demeanor.

Given the extraordinary research reflected inDarkology, it’s not surprising that Barnes spent twenty years tracking down “fading photographs, old movies, bureaucratic detritus, moldy scripts, and living witnesses, assembling an impressive archive that allowed her to demonstrate the astonishingly broad reach of blackface minstrelsy” (Laurel Thatcher Ulrich). Painstakingly piecing together these scattered shards of evidence, Barnes reveals the shocking extent to which blackface took center stage in every era of American history.

This was not a fringe activity. By 1830, as political resistance to slavery grew, blackface exploded from a niche performance into a venomous national export. Within a decade, hardly a theater in the countrydidn’tput on minstrel shows. Following the Civil War, this grotesque entertainment soared, seeping from professional theaters into everyday amateur shows, print, and advertisements. It was everywhere: Elks Clubs, religious institutions, battlefields, universities, and schools. It wasn’t justinthe Jim Crow era; itdefinedit. The very name “Jim Crow” derives from minstrelsy’s founding character.

Darkologydismantles the myth that blackface was a fleeting, post–Civil War phenomenon. Even in eras known for liberal progressivism, it flourished. Barnes unearths the startling fact that four-term president Franklin D. Roosevelt was a devotee who died hours before a blackface show he had commissioned at Warm Springs. It permeated U.S. military bases and was even used in World War II Japanese American concentration camps and German POW camps as a bizarre tool of “Americanization.”

After WWII, the tide began to turn as Black veterans and mothers in places like suburban California protested the practice in schools. Still, blackface performances proved resilient, surfacing as late as 1969 at the University of Vermont. Even as the Civil Rights movement fought for equality, blackface remained present in American politics and white supremacist organizing through the Nixon and Ford administrations, its legacy still percolating in variable forms today.

By tracing minstrelsy’s evolution through oral histories, material culture, and a wide range of multimedia sources, Barnes’s “masterpiece” (David Blight) forces us to reckon with the myriad ways the American Dream wore blackface. Recasting this American story with “vivid and engaging storytelling” (Howard French),Darkologyis a landmark work that peers beneath the boulders deliberately obscuring our past―illuminating a path toward a more just and equal society in America’s future. 72 illustrations

• Publisher ‏ : ‎ Liveright

• Publication date ‏ : ‎ March 24, 2026

• Author: Rhae Lynn Barnes

• Language ‏ : ‎ English

• Print length ‏ : ‎ 528 pages

• ISBN-10 ‏ : ‎ 1631496344

• ISBN-13 ‏ : ‎ 978-1631496349

An illustrated history that celebrates the legacy of Black actors, films, and filmmakers from the silent era through today and explores the deeply embedded racism of the film industry, from the award-winning author of The Black Panther Party

In Black Film, Eisner Award-winning author David F. Walker presents an immersive dive into the crucial history of Black actors, films, and filmmakers. Following closely behind the very first moving picture captured by Eadward Muybridge in 1872, Thomas Edison's thirty-second "actualities" from the late 1890s, including A Watermelon Contest and Dancing Darkey Boy, are among the first short films to depict Black people. These can be considered the earliest examples of how the film industry would go on to exploit, appropriate, and shape the narrative of Black people for the duration of its development.

Divided by decade, each section of the book covers an important era and milestone for Black film, highlighting both difficulties and triumphs through time. For example:

• The harmful popularization of blackface and minstrel shows (1890-1914)

• The emergence of racist feature-length movies such as Birth of a Nation after the advancement of sound in film, countered by the success of pioneering Black filmmakers such as Oscar Michaeux and brothers George and Noble Johnson (1915-1928)

• The rise of trailblazing actors such as Sidney Poitier and Dorothy Dandridge (1950-1959)

• The roots of Blaxploitation as a subgenre and how Black people ultimately saved Hollywood during trying times (1970-1979)

• The exciting crossover of hip-hop music into film (1980-1989)

• The box office success of Marvel's The Black Panther, Moonlight's history-making Best Picture win, and more.

With gorgeous illustrations, film stills, and rare pieces of ephemera, Black Film celebrates the glowing contributions of Black actors and filmmakers, without shying away from discussing the racism that is rooted in Hollywood—an important reality to address in order to make progress.

• Publisher ‏ : ‎ Ten Speed Press

• Publication date ‏ : ‎ March 24, 2026

• Author: David F. Walker

• Language ‏ : ‎ English

• Print length ‏ : ‎ 208 pages

• ISBN-10 ‏ : ‎ 198486016X

• ISBN-13 ‏ : ‎ 978-1984860163