"In her latest, Riley provides a fresh take on high seas adventure through the eyes of the courageous, swashbuckling, based-on-a-real-life female pirate Jacquotte Delahaye. The research Riley has done on this 1600s saga is truly remarkable, second only to her depictions of the lush Caribbean setting and the diverse, multi-faceted cast of characters. This is one to be savored."  —Fiona Davis, New York Times bestselling author of The Stolen Queen

The real Pirates of the Caribbean were Black, and women! From Vanessa Riley, acclaimed author of Queen of Exiles, comes a sweeping, immersive saga based on the life of the legendary seventeenth-century pirate Jacquotte Delehaye.

The Caribbean Sea, 1675. Jacquotte Delahaye is the mixed-race daughter of a wealthy tavern owner on the island of Tortuga. Instead of marriage, Jacquotte dreams of joining the seafarers and smugglers whose tall-masted ships cluster in the turquoise waters around Tortuga. She falls in love with a pirate, but when he returns to the sea, Jacquotte decides to make her own way. In Haiti she becomes Jacques, a dockworker, earning the respect of those around her while hiding her gender.

Jacquotte discovers that secret identities are fairly common in the chaotic world of seafaring, which is full of outsiders and misfits. She forms a deep bond with Bahati, an African-born woman who has escaped slavery and also disguises herself as a man to navigate the world. They join forces with Dirkje De Wulf, a fearless adventurer who also lives as a man at sea. As Jacques, Jacquotte falls in love with Lizzôa d'Erville, a beautiful courtesan who deals in secrets and sex. While others see their work clothes as a disguise, Lizzôa’s true self is as a woman.

For the next twenty years, Jacquotte raids the Caribbean, making enemies and amassing a fortune in stolen gold. When her fellow pirates decide to increase their profits by entering the slave trade, Jacquotte turns away from piracy and the pursuit of riches. Risking her life in one deadly skirmish after another, she instead begins to plot a war of liberation.

From the two-time Emmy Award–winning producer and host of the Black and Published podcast comes a sweeping multi-generational epic following seven generations of Dupree women as they navigate love, loss, and the unyielding ties of family in the tradition of Homegoing and The Love Songs of W.E.B. DuBois.

It’s 1995, and fourteen-year-old Tati is determined to uncover the identity of her father. But her mother, Nadia, keeps her secrets close, while her grandmother Gladys remains silent about the family’s past, including why she left Land’s End, Alabama, in 1953. As Tati digs deeper, she uncovers a legacy of family secrets, where every generation of Dupree women has posed more questions than answers.

From Jubi in 1917, whose attempt to pass for white ends when she gives birth to Ruby; to Ruby’s fiery lust for Sampson in 1934 that leads to a baby of her own; to the night in 1980 that changed Nadia’s future forever, the Dupree women carry the weight of their heritage. Bound by a mysterious malediction that means they will only give birth to daughters, the Dupree women confront a legacy of pain, resilience, and survival that began with an enslaved ancestor who risked everything for freedom.

The Seven Daughters of Dupree masterfully weaves together themes of generational trauma, Black women’s resilience, and unbreakable familial bonds. Echoing the literary power of The Twelve Tribes of Hattie by Ayana Mathis, Nikesha Elise Williams delivers a feminist literary fiction that explores the ripple effects of actions, secrets, and love through seven generations of Black women.

An illuminating, electrifying exploration of the work of Toni Morrison by an award-winning novelist and Harvard professor

“In this lavish yet clear-eyed study, Serpell shows how Morrison breathed new life into the novel. This is literary criticism at its finest.”—Time

“As gripping as it is intellectually brilliant . . . a classic.”—Cathy Park Hong

“Serpell puts Morrison’s genius on full display. This will enthrall Morrison fans.”—Publishers Weekly (starred review)

“Filled with unique analyses, deep dives, and an intellectual playfulness that Morrison herself so valued, this book will stand as one of the most important twenty-first-century works on the great American writer.”—Imani Perry, author of South to America

ONE OF THE MOST ANTICIPATED BOOKS OF THE YEAR: The New York Times, Time, The Today Show, Harper's Bazaar, Ms., The Millions, Well-Read Black Girl, Kirkus Reviews, Lit Hub

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison, Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form.

This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is

NATIONAL BESTSELLER From the National Book Award finalist and author of Pet comes a novel set in a magical West African world, about a teen girl who must save her missing twin while learning to navigate her own terrifying new powers.

ONE OF THE BEST BOOKS OF THE YEAR: Elle, Horn Book, The Bulletin of the Center for Children's Books, The Boston Globe Blue Ribbon Awards List

Somadina and her twin brother, Jayaike, are practically the same person: they finish each other's sentences and make each other whole. When the twins come of age, their magical gifts begin to develop, but while Jayaike's powers enchant, Somadina's cause fear to ripple through her town.

Always an outsider, Somadina now faces blatant--and dangerous--hostility. And things go from bad to worse when her brother—the one person she trusted—vanishes. Somadina knows that no matter the dangers, she must track him down. Even if it means entering the Sacred Forest. Even if it means grueling, otherworldly travel she may not survive. Even if it means finding the hidden places where those closest to the spirit world don't dare to go. Does Somadina have the strength --within both her body and her soul -- for the trying journey ahead?

National Book Award finalist Akwaeke Emezi masterfully weaves a tale of family, identity, and the power of the past, in a world where the extraordinary is ordinary.

“I loved this book.... I looked forward to [it] more than any other in a long time, and Howard Bryant exceeded my great expectations. Kings and Pawns is brilliantly conceived and powerfully written.” — David Maraniss, author of Path Lit by Lightning

A path-breaking work of biography of two American giants, Jackie Robinson and Paul Robeson, whose lives would forever be altered by the Cold War, and would explosively intersect before its most notorious weapon, the House Un-American Activities Committee — from one of the best sports and culture writers working today. 

Kings and Pawns is the untold story of sports and fame, Black America and the promise of integration through the Cold War lens of two transformative events. The first occurred July 18, 1949 in Washington, D.C., when a reluctant Jackie Robinson, the Brooklyn Dodgers baseball star who integrated the game and at the time was the most famous Black man in America, appeared before the House Un-American Activities Committee to discredit Paul Robeson, the legendary athlete, baritone, and actor — himself once the most famous Black man in America. The testimony would be a defining moment in Robinson’s life and contribute heavily to the destruction of Robeson’s iconic reputation in the eyes of America.

The second occurred June 12, 1956, in the midst of the last, demagogic roar of McCarthyism, when a battered, defiant Robeson – prohibited from leaving the United States – faced off in a final showdown with HUAC in the same setting Robinson appeared in seven years earlier. These two moments would epitomize the ongoing Black American conflict between patriotism and protest. On the cusp of a nascent civil rights movement, Robinson and Robeson would represent two poles of a people pitted against itself by forces that demanded loyalty without equality in return – one man testifying in conflicted service to and the other in ferocious critique of a country that would ultimately and decisively wound both.

In a time of great division, with America in the midst of a new era of retrenchment and Black athletes again chilled into silence advocating for civil rights, the story of these two titans reverberates today within and beyond Black America. From the revival of government overreach to curb civil liberties to the Cold War-era rhetoric of “the enemy within” levied against fellow citizens, Kings and Pawns is a story of a moment that remains hauntingly present.

THE CURATORS OF CULTURE: Celebrate Black digital art in this essay collection revealing how Black artists have shaped everything from TikTok dances to viral memes

Steven Underwood digs into the current Black digital arts movement that has shaped popular culture for the last decade. He connects this current space to historical influences, speaking to a “legacy of audacity and daring that presented us with the opportunity to redirect the conversations on Blackness back on its center. Back to Black people.” Written as a collection of thought-provoking essays pulling in social commentary, interviews, popular culture, and deep research, Underwood taps into a topic that is incredibly relevant but often unknown.

The nature of the internet is so ephemeral that sometimes we forget when we do something worth celebrating. For Black people particularly, that’s unforgiveable. Digital Black art has become increasingly more outspoken, introspective, and genre-defining. But it’s also vulnerable. Original phrases, tweets, dances, songs, and other content are often taken from a Black artist and attributed to a white influencer. And Black creators are paid less for their work, though their engagement is often higher than that of their white peers. There is also the added risk of backlash and hate that comes with publicly existing online. As an award-winning writer with a popular online presence, Underwood is no stranger to the experiences of Black digital artists. Using his own personal stories, he highlights the beauty, vulnerability, and innovation of the Black digital arts movement.

Shining a light on the curators of our culture, Forever for the Culture narratively follows the construction of a new Black art movement and how creators have defined a community when that community does not have a physical space.

Beautiful, smart, and determined Moyo Adegbite has it all...almost.

As a Boston-based Pediatrician, she’s made her parents back in Lagos proud. Now, she’s ready for true love.

To avoid dating all the duds in Boston, Moyo’s research led her to devise a foolproof plan: Join Cupid's Bow, the popular astrology dating app that uses birth charts to match soulmates with a 99 percent success rate. And the app works…until it doesn’t. After discovering the infidelity of a Cupid’s Bow match, Moyo goes on a booze-fueled rant against the app’s creators, filing an irate complaint slamming the planet responsible for her love life—the god, Saturn.

Niyi Bankole was reluctantly named Saturn, and now he’s saddled with a position at Cupid’s Bow, the family business, as one of three matchmakers. But Niyi quickly learns he’s unequipped to be a god. Leaning into his science background to hide his incompetence, Niyi writes an algorithm that seems to work for clients...until Moyo’s complaint triggers damage control. Now, Moyo is contracted to receive a dating coach to walk her through three Cupid’s Bow–assigned dates. Eager to clean up his mess and (secretly) fine-tune his algorithm, Niyi offers to be Moyo’s dating coach.

As they work together, will Moyo find love through the algorithm, as she and Niyi planned, or will she get swept up in one of Saturn’s rings?

A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.

"Kin is the kind of all-encompassing reading experience I’m always hoping to find: smart and funny and deftly profound. This is Tayari Jones’s very best work.” —Ann Patchett, author of Tom Lake

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

The limited deluxe edition will include sprayed edges

A steamy, forbidden enemies to lovers romance about love after loss. It is the first book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Sloane

Dominic Alexander is my late husband's best friend and the last man on Earth that I should want. He's arrogant, dismissive, and up until recently has only ever used those dark eyes of his to look right through me. For the last twelve years, he's taken a sick pleasure in making me feel paper thin, like my entire existence is of no consequence to him at all.

But now, things are different.

After one drunken night and a surprisingly sexy act of heroism, he's started to be...nice. Treating me like something other than the physical embodiment of his annoyance, which would be nice if it didn't make me feel all the things I swore to never feel for another man after my husband died.

Dominic

Sloane Kent is going to be my undoing.

What's worse: I think I'm going to enjoy being unraveled by the gold flecks in her hazel eyes and the adorable little way she scrunches her nose up when we're arguing, which we've done a lot of over the past decade. She thinks it's because I hate her, and I've always let her think that because the alternative is...untenable.

But something is changing between us, and I don't know how to stop myself from breaking every promise I've ever made to myself regarding my best friend's wife. Promises that include never telling her that there's a long list of things I feel about her, but hate isn't one of them.

‍ ‍For readers of Annette Gordon-Reed and Nikole Hannah-Jones, the shocking untold story of the British royal family’s centuries-long investment in slavery and continued profiting off its legacy—from Elizabeth I to the present—and the monarchy’s culpability in the racial injustice that gave birth to the United States.  

For centuries, Britain has told itself and the world that it is an abolitionist nation, one that, unlike the United States, rejected human bondage and dismantled its Atlantic slave empire without tearing itself apart in violence. An abolitionist nation headed by a just, humane monarch who liberated enslaved Africans and recognized their descendants as free and equal subjects of the British Crown. As Prince William put it recently, “We’re very much not a racist family.” When slaveholding nations write their collective history, the enslavers hold the pen.

Now, acclaimed historian Brooke Newman reveals the true story: the enslavers were supported by members of the royal family. From the 1560s to 1807, the British monarchy invested in the transatlantic slave trade and built a slave empire in colonial America and the Caribbean, with the labor of millions of enslaved Africans who would see none of its riches. It profited from African slave trading and hereditary bondage, setting the stage for other colonial powers to develop brutal slave systems that remained legal long after full emancipation in the British Empire in 1838. The scars of this history remain visible the world over, from economic inequality and educational and health disparities to racial discrimination and prejudice. Still, Crown officials continue to insist the legacies of slavery “belong to the past.” 

Newman focuses not on portraits of British monarchs but on their actions and investments that led to the rise and fall of the transatlantic slave trade and colonial slavery, and on some of the people whose lives it took, placing the struggles and sacrifices of innumerable individuals of African origin and ancestry at the center of Britain’s story.

This stunning cultural and personal reclamation of Black history and Black botanical mastery offers up lessons from the natural world shared through the stories of long-lived trees.

The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.

In When Trees Testify, award-winning plant biologist Beronda L. Montgomery explores the ways seven trees―as well as the cotton shrub―are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.

Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

Practice a new framework for dismantling racial bias in our society, our workplaces, and ourselves: by learning to detect it as well as people of color do.

How do we combat racism in a world determined to tell us it doesn’t exist?
 
To hold the line against racism, we need to know it when we see it. And as the dominant racial group in our society, White people must take up the charge. The problem, says researcher, DEI leader, and organizational consultant Dr. Evelyn Carter, is that White people haven’t been socialized to detect racial bias in the way people of color do. Racism is more than using racial slurs or overt, hateful speech, and it’s more than unintentional slights; it's about an entire system that upholds Whiteness as the preferred standard. 
 
Fortunately, detecting it is a skill that can be learned.

Was That Racist? is a re-education, call to action, and practical guide, full of research-backed strategies including how to: cultivate a growth mindset about bias, unlearn colorblindness and practice color consciousness, talk to kids about race and racism - and bring others along for the journey.

At a time when DEI is under coordinated attack, Was That Racist? is the essential toolkit for anyone who believes we all have a role to play in creating a more equitable world.

A scorching second-chance romance between a talented screenwriter and a phenomenal musician from "a fantastic storyteller and superb writer." ―NPR

​You never forget your first love. Isn't that what they say? Verity Hill knows this truth intimately. She didn't simply miss Wright "Monk" Bellamy when they parted ways in college. She's haunted by his touch. Every kiss, any lover since—it's a shadow of what they had. 

Time heals all wounds. Isn't that what they say? Monk doesn't believe that for a second. He wasn't simply betrayed when he and Verity split. He was devastated, with parts of him left behind in the ruins of all that was destroyed. 

More than a decade after their disastrous breakup, Verity and Monk must work together on the set of an epic Harlem Renaissance biopic. With Monk, now a world-class musician, creating the score, and Verity, an award-winning screenwriter, penning the script, there's Oscar buzz before shooting even begins. This once-in-a-lifetime project could catapult them both to new heights, but can they can put the past behind them for the sake of the film…for the sake of something more?